Casa do Jongo shut its doors

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Cultural producers and students protest in favor of the Casa do Jongo

The official home of Jongo in Rio de Janeiro – headquarters of the traditional cultural group Jongo da Serrinha, in Madureira, in the north of the capital – has closed. Casa do Jongo suspended activities last week due to a lack of funds.

In order to demand public policies for the safeguarding of its intangible heritage – declared a landmark by Iphan in 2005 – and the upkeep for its scheduled activities, visitors, students and supporters protested today (January 9th), in Cinelandia, in downtown Rio.

Inaugurated in 2015, Casa do Jongo is the result of the dedication by Jongo masters since the 20th century so that the dance doesn’t disappear. The cultural group was founded to expand the jongo groups and professionalize activities, hence the need to have a space of their own.

With the support of the city government that, in 2013, bought and renovated the property where the institution was operating til today, Casa do Jongo opened its doors. This is the last nucleus for the dance in the city, the inheritance of Mestre Darcy and Vovó Maria and the birthplace of the samba school Império Serrano.

Until last year, the venue served 400 students of all ages, with classes in percussion, singing, sports, cultural practices, as well as serving as a meeting point for neighborhood artists. Three thousand people visited there in 2017.

Financing

With the suspension of the bill approved by the administration of the previous mayor, Eduardo Paes – the main way the institution’s activities were financed – the problems started. The amount raised by companies through the tax incentive law is insufficient to maintain the space’s activities, whose monthly costs are US$12,400 for infrastructure and to pay 23 employees.

The director of the house, Dionne Boy, says she tried for one year to get support for a direct contribution from the City’s Culture Secretary, in the form of investment granted to other cultural institutions, such as the Deborah Colker dance company and the Museum of Tomorrow, however the results weren’t positive. The director questions the criteria for receiving investment and also demands contributions for projects that work with intangible heritage.

“We do not think we have to be supported only by the city hall, but what are the criteria [for direct transfers]? That is not clear, “Dyonne questioned. “We are fighting all the time to have a policy for the city’s intangible heritage. Groups that are 50 years old, 60 years old, like Filhos de Gandhi, Jongo da Serrinha, Trem do Samba, they are projects that are the very identity of the city of Rio and are being undermined, making culture with their own funds, but which in the crisis are the ones that suffer the most”, she said.

According to Dyonne, these groups have more difficulty attracting sponsorship compared to institutions in the media such as museums and dance groups. “We are inside a favela, serving, especially children, we should have priority,” she said.

Regarding the direct transfer of funds to the Casa do Jongo, the City Secretary of Culture, Nilcemar Nogueira, said that it was not possible because of the decrease in tax collection in the city. He informed that, through the fiscal incentive law, Casa do Jongo raised so far, $37,400 so far, to be paid this year. On the pay-outs to the Deborah Colker dance company, the secretary argues that the group is a reference in the country and internationally and develops social projects – with free presentations. He also says that, in the last year, support from the Secretary to the group was reduced from $624,200 to $124,800.

Another alternative to get resources offered to Casa do Jongo, according to Nilcemar, were the three open tender notices made by the secretariat last year. One of them allocated $156,000 for initiatives with an emphasis on African culture, distributed in amounts between $3,000 and $15,600.

The Casa do Jongo did not compete for the open tenders, according to director Dionne Boy, because the maximum amounts were low. “We do not have projects at these [lower] amounts. We have projects for one year, not one month. And we know, moreover, that such low amounts ​​hurt cultural activity”, she said.

According to her, since last year, even with fiscal stimulus funds, the Jongo supporters were paying for some activities. “We were banking this with money from our own pocket, these 23 teachers don’t get a paycheck, they are partners who give classes elsewhere and do volunteer work in the Serrinha. We, the coordinators, are seven people, and are like State employees (with parceled wages). This is a scandal for the city.”

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Afro-Brazilian culture

In the evaluation of the director and other cultural producers in the city, who launched a public letter in defense of Casa do Jongo during the protest, the city hall has left behind manifestations and cultural groups linked to black culture. “There is a component of persecution of cultures from the African matrix, of popular culture, without a doubt”, criticized the cultural administrator.

Secretary Nilcemar Nogueira denies that projects related to Afro-Brazilian culture are being relegated by the administration of Mayor Marcelo Crivella. However, he acknowledged that initiatives related to Afro-Brazilian memory or intangible heritage have more difficulties to maintain themselves, including those related to samba.

“Today we don’t value anything that comes from African matrix. This is a discussion to be had with the entire society. Because if the entire society understood its importance, this wouldn’t be happening to the Casa do Jongo, nor with samba, nor with the Folia de Reis. We still think in an isolated way,” he said. – Source (PT)

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